内详
阿广和阿明在中国一农村长大，两人非常友好，更一起逃到香港，希望寻找金钱梦。然而到香港之后，他俩才发觉困难重重，又尝尽了人情冷暖，闹出不少笑话。此时，香港有位超级巨星，长相和阿广一模一样，在影片拍摄中途，因为做了一个危险动作而身亡，电影公司便找阿广作巨星的替身，他们因而转运。在阿广代替巨星时，他开始明白财富并不等于快乐，而且财富令他非常空虚。不过，阿明却用尽他的新身份和金钱去享受和花天酒地，于是两位好友产生了很多矛盾。最后，阿明知道阿广要重覆巨星身亡时所拍摄的镜头，阿明立即赶去告知阿广，但已经太迟。幸好阿广大难不死，最后两位好友重拾友谊，而且更知道香港不是久留之地。
David Cork (Lachlan Woods) is a lowly data processor slaving away in the cubicle wasteland of Endo Bank's notorious Data Processing Centre, the DPC. But his real passion is manga. David is obsessed with the superhero Foxy Chaos - and he aspires to meet
波比（安娜·肯德里克 Anna Kendrick 配音）是精灵城的公主，她有着神奇的魔力和多彩的头发，乐观积极、喜爱唱歌。但是有一天，他们的小伙伴被死对头——“博啃族”抓走了。为了从“博啃族”手中拯救出她最好的朋友们。波比向精灵城中的“怪人”布兰（贾斯汀·汀布莱克 Justin Timberlake 配音）求得帮助，可布兰是个不合群的悲观主义者。他虽答应了公主的请求，但是他只是想让公主知道这个世界并不像她想的那样只有蛋糕和彩虹。一路上，他们共同经历了很多奇怪、有趣的事，也发现了自己内心以前从未发觉的东西。但是最重要的是，在波比的帮助下，他们发现了能够拯救整个魔发精灵城的终极秘密武器。©豆瓣
电影《你不是一个人》由青年导演钟青执导，演员石承镐、何紫妍、郭文颐、何圣菲、野泽实穗、陈艾熙、南苗、等人倾情献映。该片主要讲述了一个从未谈过恋爱的城市宅男，与四个不同物品变身的女友之间发生的奇幻爱情故事。
Uncoveringthedetailsofgruesomekillings,peoplewhowereattheepicentretalkaboutwhatwentdown.
唐纳德·施特尔瓦格总是格格不入：饱受欺凌，最终辍学，并成为了一个瘾君子。上世纪 90 年代初，正当他的生活开始好转时，一部电视剧把他和一起银行抢劫案联系了起来。描述：非常高，非常胖 — 就像施特尔瓦格一样。一名可疑的专家证人声称劫匪的耳垂很有特色，说服法官相信施特尔瓦格有罪，他因此被定罪。尽管有可信的不在场证明，施特尔瓦格还是在狱中度过了八年。在他获释后不到两周，真正的罪魁祸首就被抓获了。施特尔瓦格被宣告无罪，很快成为各大媒体争相报道的焦点人物。但随后，一辆黄金运输车在 A81 高速公路上被劫持，价值 180 万欧元的黄金被抢走，一切都改变了。劫犯的头目 — 臭名昭著的黑帮说唱歌手莎塔尔向警方告密了。黄金劫匪和被劫者有一个共同点 — 他们都认识唐纳德·施特尔瓦格…他是否犯下了此前被污蔑的罪行？这就是他为自己的命运复仇的方式吗？
男主是一名三级片导演，性能力超强，人送外号“阿拉斯加北极熊”，旗下有许多女星想跟他拍激情戏，他暴躁的性格加上强大的性能力让不少女人为之倾倒，但是他一般并不亲自上阵，导演虽然平时拍片非常严厉，但生活中却是一个细腻的男人，在咖啡馆邂逅了一个年轻女人后，二人产生了情愫，男主“北极熊”般的性能力也得到了施展....
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
9月9日 22-23赛季欧联杯小组赛 AEK拉纳卡VS雷恩
青年泰伦，自幼即为孤儿，由邻居婆婆抚养长大，后得马神父之照顾，曾在教会学校攻读，后因故辍学独自谋生。彼因饱受社会煎熬，终于误入歹徒圈套，为人指使而误杀良民，在森严之法津下，被判死刑。是日泰伦越狱成功，即在当晚，却与爱丽丝偶然相偶，两人晤面似有灵犀……
这部电影讲述了一个女孩子初恋的故事在北京的一个公共汽车上，女孩遇到了自己心中的“白马王子”，但是对这个男孩的爱恋一直存在于梦幻之中，而在获悉了这个男孩到上海的一家电脑公司发展之后，女孩从北京追到了上海。在上海却碰到了另外一个男孩。痴情的女孩就这样徘徊于现实和梦幻之中，演出了一场感人的故事……