阎罗（陈泰鸣）与念奴（向云）原为情侣，却因水神和火神的破坏而各分东西。阎求告无门犯下错事而被罚入地府受刑。在地狱与奴重逢，唯奴已嫁作鬼王之妻，只是身怀阎罗骨肉，暗中设计把孩子送至人间，却引起鬼王大怒，从此与阎势不两立。
纸扎店小工朱宏利（洪金宝 饰）自小由道士二叔公（林正英 饰）带大，朱宏利道术未习多少，行事偶而颠倒，却有一副正气心肠，因不肯拖累指腹为婚的未婚妻阿云（钟楚红 饰），时常给人家冷脸。朱宏利好友马麟祥（午马 饰）外出闯荡，返乡时却变成了一具尸体，一同回来的还有马麟祥怀孕的妻子跟几个男伴，朱宏利感事有蹊跷，出力调查却一无所获。几日后，马麟祥冤魂找到朱宏利求助，原来马麟祥返乡时并未身亡，只为伙同他人盗取自家祖上的陪葬品而出此下策，却不料假戏成真，被同伙取了性命。心灰意懒的朱宏利拗不过冤魂骚扰，请来二叔公做法帮好友报仇，结果自己丢掉了肉身以至丧命。悲痛欲绝的阿云经二叔公指点，欲与鬼差斗计抢回朱宏利的魂魄……
该片是以《光明日报》独家系列报道《解救南沙守礁战士的妹妹》为蓝本创作的。2000年上半年，本报政法军事部了解到守礁战士曾庆艳的妹妹曾庆梅被拐三年杳无音讯的情况后，立即向本报编委会和公安部领导反映，引起本报和公安部领导的高度重视。公安部下令由湖北省、广东省公安厅成立专案组全力解救。经过两个月的艰苦寻找，前后收集各种线索，动员大量警力和社会力量，终于在广东东莞找到了饱经磨难的曾庆梅。整个侦破解救过程曲折、复杂、奇特，极具戏剧色彩。本报派出记者全程追踪采访，并与警方密切配合，掌握了大量的第一手材料。系列报道及长篇通讯《为了解救南沙守礁战士的妹妹》发表后引起社会各界的广泛关注，五十余家媒体报道了这一事件。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
燃烧女子的肖像 Portrait de la jeune fille en feu[电影解说]
1760年法国布列塔尼，才华洋溢的年轻女画家玛莉安（诺米·梅兰特饰）收到委托，需要在对方不知情的状况下，完成富家小姐艾洛伊兹（阿黛拉·哈内尔饰）出嫁前的肖像画。两人在孤岛相依为命，白天女画家悄悄观察小姐的一举一动，到了晚上才纵情下笔。两人在画与被画的亲密接触下，即便是在充满礼教束缚的时代，却也渐渐萌发了禁忌的暧昧情愫，随着大婚之日越来越近，她们的爱火却越烧越猛烈…
没落书生顾省斋（石隽 饰）在小镇经营字画铺“代写书信春联”过活，奉养家中老母，偶然结识了家附近废屯堡新搬来的杨之云（徐枫 饰），与其暗生情愫。恰逢东厂人士欧阳年（田鹏 饰）前来打探，其与附近算命瞎子（白鹰 饰）动手，被顾生与其母遇见，遂将受伤的算命瞎子就近带到杨之云处， 从而得知他们的真正身份——因弹劾宦官魏忠贤而被杖毙的左副都御史杨涟之女杨慧贞；保卫忠良之后的石门樵将军。因二人都被朝廷通缉，东厂追杀，顾生就此在屯堡设下重重计谋，又得高僧慧圆（乔宏 饰）帮助，以期摆脱东厂追兵，逃出生天。
影片讲述发生在二十一世纪后半叶，人类与人工智能爆发激烈冲突，女主人公伊旎（韩聪聪 饰）一腔孤勇完成命运抉择，带领机器军团与强大的Ron集团展开一场殊死决战的故事。 伊旎是在“2060事件”中降生的人形机器人，也是阻止Ron集团掌控人类的唯一希望。混迹于街头和机器人黑市之中长大的她，在一次意外冲突中，遭到Ron集团抓捕，并知悉了自己的身世真相。而救她逃脱魔爪的，正是在“2060事件“中幸存的机器人们。此后，为了阻止Ron集团统治人类的疯狂行径，伊旎带领机器军团展开绝地反杀，与Ron集团开启了一场关乎人类命运的世纪之战，伊旎也由此蜕变成战斗力爆表的超能“黑凤凰”。
此剧讲述一个平凡的农村青年决定在重重挑战下，向外面发展自己人生的故事。
盛唐时期，年方二十的狄仁杰上京参加明经考试，武则天亲自监考。一名伪装成考生的刺客忽然杀出，考场大乱，狄仁杰追捕神秘刺客，意外发现刺客是女扮男装，刺客趁乱逃走。武则天命狄仁杰继续追查刺客的来历，狄仁杰发现对方的暗杀是经过详细周密部署的。年轻的狄仁杰决心不追查到底不罢休。 狄仁杰才华出众，又护主有功，很快当上了汴州判佐。在汴州，狄仁杰遇上了初恋情人楚芸。楚芸比狄仁杰大了五岁，楚芸就像姐姐一样照顾着狄仁杰。后来楚芸嫁给了左司郎中王本立的二公子王彦，新婚之夜王彦意外身亡。此时再遇狄仁杰，两人已然心动，但经历大变故的楚芸已理智地知道她和狄仁杰没有未来，而狄仁杰却发现王彦之死并不是一场意外，惨剧一幕幕发生，一连王家的几人皆死于非命，命案现场凄美得诡异，而狄仁杰与楚芸暗涌的情感为案情更添神秘。
3月30日 2022足球友谊赛 土耳其VS意大利
相传，为了让亲人常伴身边，民间常将逝去亲人的骨灰混入黏土烧制成精美的瓷器，逝去亲人的灵魂就会萦绕在骨灰瓷器的周边久久不散。但一旦灵魂有怨气，则生人则会被带入恐惧深渊，直至怨气消散……影片讲述单纯善良的绮华的未婚夫青文因事故坠海身亡，悲痛欲绝的绮华为了与青文长相厮守，听取了闺蜜的意见，效法民间传说巫术，将青文的骨灰烧制成人骨花瓶。自此，绮华时刻能感到青文继续存在家里的迹象，青文的魂魄似乎又回到了绮华身边，但逐渐事态失控了，绮华家里接连出现各种灵异恐怖事件……