野村（北村一辉 饰）是一名健硕俊朗但周身散发着死亡气息的日本男子，他有如一匹冷血饿狼，张开獠牙狩猎年轻女性。落网的女性被他囚禁在封闭的斗室内，遭受最残酷的虐杀。而在这一过程中，野村录下女子遭受荼毒的全过程，并将视频上传网络与全世界分享。无情的他偶遇开花店的川原久惠（高梨临 饰），心底深藏的记忆瞬时复苏。与此同时，远在印尼的记者巴由（Oka Antara 饰）正因追查某政客的贪污事件而陷入窘境，偏偏他又经历了一次血腥抢劫。 此前看过野村视频的他，鬼使神差录下了凶手死亡的过程并上传网络。而这段录像偏偏又被野村看到，身处地球不同角落的两个人，就这样建立了联系……
谷平安独自护送人镖小倩去找夫家，却在半途中被以刀疤脸为首的一伙绑匪绑架。王兆兴预感情况不妙，前去营救，竟遇到了曾经在飞鱼营干过的师兄游四。王兆兴向游四打听刀疤脸的消息，不料游四竟向王兆兴隐瞒实情，还指路为马。经过一番调查，以及小师妹保护朝廷刘大人调查官粮囤积案所掌握的信息，众人终于闯入最阔祸首黄布政大人的行宫。在大量证据面前，黄布政和游四的丑恶行径和贪赃枉法不攻自破，刘大人将贪官缉拿归案，游四趁机溜走。王兆兴追出野外，与昔日的师兄展开一番较量，游四终有所顿悟，倔强的他却结束了自己的性命，王兆兴不免感到伤感和惋惜。
军旅题材的战争戏《飞虎队大营救》。该剧讲述的是美军轰炸机被日军击落后，日军搜捕幸存飞虎队成员及携带机密文件，在八路军、国军救援过程中，褚家寨也参与其中。而八路军为达到赶逐达虏而谋划了更加隐秘而伟大的计划……据了解，此次在《飞虎队大营救》中海顿饰演国民党晋绥军团长，郑晓宁饰演褚家寨首领褚山虎，杜旭东饰演上党地区日本陆军旅团少将旅团长，李梦男饰演八路军团长包卫国，习雪饰演日本特务顾雨萌，宋丽娜饰演左云……除此之外，还有老戏骨王奎荣、刘雪华等加盟出演。
法瑞尔和韦格饰演一对成功的夫妇，收留并照顾一个孕妇（杰西卡·朗德斯 饰），希望收养她未出生的孩子。显然，事情不会那么顺利。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
一间老公寓继承人（任达华 饰）在房间内安装了针孔摄影机，并以低价出租房间。这房东不要用功上进的乖巧学生、不要枯橾乏味的上班族、不要勤俭质朴的和乐家庭，他只要「正常人」，拥有混乱潜质、能满足他窥看欲望的正常人。 nbsp; 因此，离了婚有家暴前科的好色体育老师老张（庄凯勋 饰），每天 看小电影、打机、黏在网上的废柴大学生伯彦（侯彦西 饰），单亲爸爸王先生（游安顺 饰）与小学四年级天真无邪的王小妹（何洁柔 饰），秘密同居的同性恋人令狐（森竣 饰）和隐瞒同志身份已婚的大学教授郭力（李康生 饰）、劈腿兼不伦的上班尤物陈小姐（李杏 饰），以及异常神秘的纯真少女颖如（邵雨薇 饰），陆续搬进了房东预先佈满针孔摄影机的诡异公寓。 nbsp; 六个房间、八个房客与一个房东，不为人知的秘密、难以克制的欲望在这栋公寓裡四处流窜，妄想控制一切的房东开始愚弄房客，企图撩起人性最複杂的一面，导演一齣交织黑色幽默、奇幻、推理又最贴近人性的精彩电影。
刘旭旭爱上大学校花周慧敏，为爱痴狂，不惜她无情的拒绝仍然固执追求，原本就身为贫苦家庭的孩子，这让他发誓一定要通过自己的努力赚取更多的钱让自己心仪的女孩子过上幸福美满的生活，正当他信心满满去表白时却一再遭遇无情的拒绝和话语的侮辱，一段失落后只得听取好朋友杨高朝的劝导回到乡下冷静一段时间在做打算。一路失落的刘旭旭内心无比的挣扎，最终在梦里走出了困境。出奇的是一个电话的声响吵醒了他，打破了这以往的平静。才得知自己追求的周慧敏原本就是自己现实生活中的妻子，无法相信事实的他反而变得更加暴躁吗，最终偶遇深山道士为其化解才使得他回归现实。
影片主要讲述了一名平凡却努力生活的主人公马太萌突然衰神附体，只要他出现身边的人必定倒霉。在他为自己悲催的命运苦恼时，仙界超防局主任一行人找到了他，告知他是万中无一的超级异能者，而且人类正被邪恶教授利用宇宙魔物“噬心种子”吞噬良知，需要他找到其余六位异能者一起去拯救地球。当他们为了拯救人类互相结盟后，才发现走进了一个更大的阴谋中……
在第一部《边境杀手》电影事件发生三年后，这部续集在德克萨斯州的美墨边境附近开幕。随着一名恐怖分子试图通过卡特尔贩毒集团从墨西哥偷渡到美国失败后自爆和之后在堪萨斯城发生的自杀式炸弹袭击，美墨边境的毒品战争升级，联邦特工马特·格拉弗（乔什·布洛林饰）与善变的亚历杭德罗（本尼西奥·德尔·托罗饰 ）重新开始了合作。
作为中国现代杰出的文学家，郁达夫十七岁就到了日本求学，目睹和感受了日本人对华人的歧视，由此竟激起奋发求学的志向。他和港田是好友，并且同时爱上了少女隆儿。一边是友情，一边是爱情，郁达夫最后选择了友情，让隆儿随港田而去……后来日本人因为郁达夫的经历和知道得太多，而将他残酷杀害。这是周润发主演的第一部历史人物题材影片，虽略有生涩，但反应良好，他深情演绎了这位著名作家的一段感情历程。导演方令正似乎非常迷恋这种跨越中日两国的爱情题材，日后他拍摄的《南京的基督》（梁家辉主演），就是根据芥川龙之介的同名自传体小说改编，讲述这位日本名作家来华时与一位中国少女的爱情故事......导演方令正在此探讨了二个主题，一个是少年郁达夫对性的迷惑和对爱的追求，另一个为中日民族问题的爱与恨，前者表现得浪漫含蓄，深得东洋文艺电影的神髓，部分片段有欧洲的爱情片的清新飘逸的感觉。而后者所表现出来的强烈的爱国热情，令观众为之动容。本片大部分在日本实地取景，摄影师陈沛佳表现杰出，无论画面构图，色彩配置和镜头运动都有很高水准。映象效果直逼日本文艺片。编导在此片表现不俗，能从形式上的卖弄深入到与内容的协调，是一部不错的电影。
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