影片改编自阿加莎·克里斯蒂的小说《万圣节前夜的谋杀案》，故事发生在二战后的威尼斯，一个怪异的万圣节前夜，本已退休的著名侦探赫尔克里·波洛（肯尼斯·布拉纳 饰）将在世界上最迷人的城市威尼斯里过着安静自得的生活，他不情愿地被邀请前往一座破败阴森的宫殿参加聚会。当其中一位来宾被谋杀后，波洛被卷入了一个充满阴影和秘密的险恶世界。
玛利亚（朱丽·安德鲁斯饰）是一个年轻活泼的修女，喜欢在大自然下高声歌唱，所以她常常忘记了修道院里的规矩。院长认为玛利亚并不属于规矩严格的修道院。院长与众嬷嬷商量后，决定安排玛利亚到一位名叫特拉普（克里斯托弗·普卢默饰）上校家当家庭教师。上校的妻子去世多年，留下7个孩子，他要求对孩子严格管教。他告诉玛利亚在他家的家庭教师都做不长久，都是因为孩子的恶作剧。玛利亚果然也遭到了恶作剧，可是这位善良的老师并没有告诉他们的父亲，而是像个母亲一样照顾孩子，很快跟孩子打成一片。上校也渐渐在玛利亚的引导下改变了对孩子们的态度。上校与玛利亚之间发生了感情，他们完婚后回到了已被纳粹占领的奥地利，上校并不想为纳粹办事，一家人准备逃跑……
故事发生在中华人民共和国建国之初，虽然人民解放战争取得了决定性的胜利，但是在祖国的边陲之地仍有不少残渣余孽蛰伏潜藏，图谋不轨，随时妄图推翻新政权。解放军的军旗迎风招展，国民党的败部丢盔弃甲，从云南地区撤出。为了荡涤当地的残余势力，解放军某部指导员江洪（王心刚 饰）带领工作组深入傣族人聚集的勐垅沙地区。但是女特务刀爱玲（曹樱 饰）蛊惑当地头人布亢（刘怀德 饰），令民众对工作组产生误解和敌意。工作组不急不躁，一点点取得了民众的信任和支持，与此同时还与反动势力做着不懈的斗争…… 本片根据话剧《遥远的勐垅沙》改编。©豆瓣
AcinematicodysseyexploringDavidBowie’screativeandmusicaljourney.FromvisionaryfilmmakerBrettMorgenandsanctionedbytheBowieestate.Fiveyearsinthemakingandfeaturingnever-before-seenfootage,experienceitintheatersandIMAXthisFall.
出品单位:中华全国总工会文工团影视中心、西安高峰影视制作有限公司摄制单位:中华全国总工会文工团影视中心、西安高峰影视制作有限公司许可证号影映数字〔2。。61第029号声音制式5.!幅别1:1.78片长92分50秒编剧高峰孙鸿洁导演高峰影于江制片孙歇主要演员白小英王毅萨日娜主要内容壮壮父母闹矛盾，并逐步走向婚变，身患白血病的壮壮在生命倒计时之际，用他纯洁的心灵语言，表达着他对亲情的珍爱，对大自然、对湿地的热爱。他用稚嫩的小手在大自然中将父母拉近重归于好，他把家和大自然都看作是生...
Netflix近日公布了让冬歇期苦等剧集的观众们感到惊喜的消息——由沃卓斯基姐妹执导的科幻剧集《超感猎杀》将在12月23日推出长达两小时的圣诞特别篇。第一部的人马大部分会回归，阿梅尔·艾米恩的角色将由托比·奥伍梅尔替代。
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
When Luna, a battered wife, and Bela, an empowered artist, meet for the first time, their hearts will be freed by the people and society that chain them.
根据人民文学奖得者方方原著《过程》改编。
阿姆斯特丹，两个男人爱上了同一个女人，注定了一段纠缠的故事。惠瑛（全智贤饰）是画家，每天到广场帮路人画肖像，而像她一样风雨不改的，还有某人送来的一盘雏菊。每天雏菊总是准时送到，让她心里悸动而好奇。 一天，匆匆而过的正佑(李成宰 饰)遇上了画家。他本是国际警察，来这个城市追捕杀手，然而却迷上了温婉动人的惠瑛，他让惠瑛帮他描肖像，他们的爱情在萌发盛开。 这些情景，送花人看在眼里，痛在心里。他的身份注定了他必须给正佑让出位置，对惠瑛默默付出。因为，他就是正佑所寻找的杀手朴义(郑宇成 饰)。但是，强烈的爱终究让他不再躲在暗处，他决心争取幸福。二人在法律上，感情上的鲜明对立，注定了不能完满的结局，鲜血在惠瑛描有雏菊的花布上蔓延开来……