威尔·蒙哥马利（尼古拉斯·凯奇 Nicolas Cage 饰）的四人盗窃团伙在一次行窃银行金库时被埋伏在现场的FBI逮个正着，同伙文森特在混乱中中枪，而威尔将赃款付之一炬后独自被捕。八年后，威尔出狱，迎接他的是怀疑他当年私藏赃款的FBI探员安德森，以及女儿艾莉森（ 萨米·盖尔 Sami Gayle 饰）的敌视，威尔心力憔悴之际突然收到了文森特绑架艾莉森的消息。原来当年行窃失败后文森特陷入潦倒，为了讨还一千万中属于自己的部分他绑架了艾莉森。威尔试图向FBI求助却不被安德森信任，无奈只得独自拯救女儿，为此他不惜找到当年的搭档蕾莉(玛琳·阿克曼 Malin Akerman 饰)，准备再次犯案……
香港庙街，各路势力云集，犬牙交错。身体残疾、在黑帮老大烟铲乐手下讨生活的盲辉（曾国祥 饰）与大陆偷渡过来的女孩小惠相恋。PTU部队利用盲辉端掉黑社会团体和联胜的贩毒窝点，引发和联胜老大丧昆与烟铲乐的冲突。丧昆追杀盲辉之时，遭到乐之手下火爆的伏击，坠楼而死。 鉴于恶性案件时有发生，警局展开大规模扑杀行动，庙街中由黑社会把持的店铺被迫关闭。烟铲乐恼羞成怒，迁怒盲辉，致使其与女友流落街头。李永森（任达华 饰）执勤途中逮捕了滋事的小惠，令盲辉对这个导致自己幸福破碎的沙展萌生恨意……
晚清时期，外来入侵，国家内忧外患，民不聊生。黄飞鸿（赵文卓饰）面对列强的压迫，依旧弘扬中国文化，保护民族信仰，与外来者的打击坚持抗争。在这样一个社会动荡的时期，北拳宗师吴镇南（唐文龙饰），初入佛山北拳南传，却屡屡碰壁，面对黄飞鸿的盛情款待，吴镇南却不愿接受他的帮助。就在这个时候，洋人趁火打劫，把药品研究用在了吴镇南身上，导致两人矛盾再度激化，面对洋人的利用和威胁，吴镇南不得不和黄飞鸿展开激烈的一战。被洋人雇佣来协助研究项目的女孩路小月（魏小欢饰）在秘密研究项目中也慢慢了解到洋人的残暴实验，渐渐地看清了洋人计划，危险一触即发……
《緝魔》劇情緢述溫子昇（莊凱勛 飾）是個作風暴烈的刑警，負責調查一起無頭女屍案件時，遇到前來驗屍的冷酷女法醫韓雪甯（邵雨薇 飾），他們查到死者曾在高俊偉（傅孟柏 飾）開業的醫美診所進行隆胸手術，韓雪甯突然向溫子昇透露大學時曾與高俊偉交往，還協助他做過一個案件的偽證，讓高俊偉成為頭號嫌犯！但溫子昇前往診所調查，卻更覺得疑點重重。此時，高俊偉約了韓雪甯見面，但韓雪甯竟動手刺傷了他，兩人複雜的關係讓案情更為膠著，看不清真相...
“Whyaretheyeventogether?”wouldbethefirstthoughtthatcomestomind,asChuSangWooandJangJaeYoungaresodifferentineveryconceivableway.Oneisarobot-likeengineeringstudentwhowearsdarkclothesforconvenienceandfollowsastricttimetable.Theotherisafree-spiritdesignmajor,withcolorfuloutfitsandaskateboard.WhenJaeYoungfreeridesonateamassignmentwithSangWoo,SangWoocrossesoffJaeYoung’snamefromtheproject,andthetwobecomeenemies.Thefilmisare-editofaneightpartTVseriesthattoppedtheWATCHAChart,basedonthewebnovelSemanticErrorbyJeoSoo-ri.Itwouldbechallengingtoexceedexpectationsasthenovelhasahugefanbase,however,twoformalidolactors,ParkSeoHamandParkJaeChan,hitthejackpot.DirectorKimSooJungdelicatelyemphasizesthecomicandfreshromanceoftheyoungmen,whohaveuniquecharmsandperfectlooks,astheydointhenovel.
敌人利用印制苏区流通的货币苏区票并大量散发，造成了苏区严重的通货膨胀，妄图以此达到破坏苏区的经济命脉和金融体系的目的。尽管苏区政府对流入假币采取了严格的控制收缴手段，但假钞还是屡禁不止，红军特别行动队应上层领导的命令展开秘密侦察。经过一系列明察暗访，小组人员发现在苏区政府出现了大批的走脚赶尸的师傅。走脚赶尸是湘西的一种迷信风俗，而在江西苏区大批出现这种师傅，非常可疑。而两个神秘的云游尼姑也逐渐引起了别动队员的主意……最终，别动队员将国民党特务化妆的走脚师傅和假币团伙一网打尽，恢复了苏区正常的经济秩序。
该剧主要讲述了女主作为穿越的现代的医生云若月，与楚国“第一战神”前太子楚玄辰互相成就与救赎的故事。战神是“杀戮”而医生是“救赎”，“白衣天使”救赎了“孤勇王爷”。
迈尔斯·蒙特哥(贾·鲁尔)是一位公子哥，要啥有啥，帅气的外表，豪宅、名车、游艇、身边靓女如云。不过，他的过去并不光彩。迈尔斯曾是高级的毒贩子，但如今早已洗白。尽管如此，缉毒署还是处处盯着他。迈尔斯对自己的家人和朋友很是忠心，他们中的很多人还在从事贩毒的勾搭。就当他还在黑白两道上游走的时候，他遇到了一个心仪的女孩。这个女孩与迈尔斯之前的女友很不同。瓦内莎(艾德里安妮·巴隆)是一名严格意义上的教堂女孩，有着虔诚的信仰，这给迈尔斯的恋情带来了严峻的考验。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
本片气势磅礴，藉由二战老兵法兰克·希兰的角度，讲述战后美国的黑社会故事，他是一名骗子和杀手，曾经在20世纪最恶名昭彰的人物身边工作。本片横跨数十年，记录美国历史上最大的悬案，刻画传奇工会主席吉米·霍法的失踪，并壮观呈现黑帮不为人知的权力中心：其内部运作、势如水火的仇敌，以及和主流政治的瓜葛。
一位富豪突然死亡，見錢眼紅的親族、朋友、員工全都想從他留下的億萬財富中分一杯羹。