MeMindY2023NextProject关于工作，像NorthNam这样的婚礼策划师可能已经办了百场婚礼。但是多年没有伴侣，爱情就枯萎了。当你遇到对的人时怎么样？我最喜欢的类型是这个人…他客户的新郎！暗恋一个人并没有错，但暗恋一个已经名草有主的人是错的，尽管NorthNam心里很清楚，却因为Lam而陷入困境，就此婚礼策划师对新郎一见钟情，反而是新郎要帮他安排婚礼。还是得近距离追寻他才能推进工作因为新娘似乎对这场婚礼完全无动于衷。此外，新郎喜欢放下钩子并猛拉他。或者这场婚礼的背后会发生什么？
A thug in a town named Sang-keun and his gang. When Se-il, whom they fear, comes back to town, they get ready to fight back against him. The film depicts the unpredictable world of males with a compelling storyline and lively images, not to mention outstanding acting of Kim Muyeol.
住在弗吉尼亚乡下的罗莎丽（凯特·波斯沃斯 Kate Bosworth 饰）是小猪仔超市的普通员工，生活虽然波澜不惊，却让她充满了幻想，罗莎丽疯狂迷恋英俊帅气的明星泰德·汉密尔顿（乔什·杜哈明 Josh Duhamel 饰），无时无刻不渴望与其见面。某天，即会从天而降。现实中的泰德与其在银幕上塑造的好男人形象截然相反，他养尊处优，浪荡不羁，负面新闻层出不穷。为了改变他的形象，泰德的团队策划一个为贫困儿童捐款的活动，有幸被选中的人可以与泰德共处一天。罗莎丽有幸当选，曾经远在天边的偶像竟然即将出现在自己面前。 在这一过程中，天真纯情的罗莎丽似乎渐渐找到真爱的方向……
南宋端平元年，山洪暴发。山间一座荒冢被山水冲塌，坦露出一具佩戴着一枚前皇太子玉佩的无名尸骨，案情震动朝野；被百姓称为“独臂青天”的湖州知府曹墨，被御史王儒璋以五十万专银失踪而问以重罪，而曹墨明知被冤却不作申辩，贪银案另有蹊跷；经宋提刑验骨推断，尸骨身份被渐渐引向十八年前死于意外大火的前太子赵泱。而据皇室记载，赵泱当年遇难之后，明明是由宰相石开元亲自去湖州验明正身，并迎回皇陵下葬。为查明真相，宋提刑押上宋氏一家老少的性命，在皇陵动土开棺，果然验出惊天秘事——济王墓内的白骨，竟是一具怀胎十月的女尸！曹墨突
Eonju是一名普通的女孩，因为与家人的矛盾，她离开自己的家乡。为了生存，她找来一份家庭教师的工作，而生活却异常艰难。一个偶然的机会，她走进了一个豪华公寓，公寓的主人是一个身患绝症的中年女人，两人之间产生了奇妙的联系...
二十世纪初年，河北义和团运动被清廷镇压，首领张德成临终把借来的古兵器龙凤锏交给闵宗瑞（张蜀渝 饰）和满七姑（李秀珍 饰）。转眼二十年过去了，义和团后代长大成人，闵宗瑞约满七姑八月十五赴北京天桥比武决定双锏的归属。八月十五这天，七姑的儿子满金子（龚玉春 饰）和小砘子（巩立峰 饰）带着凤锏来寻龙锏，闵宗瑞之子闵呈祥（戴文章 饰）与徒弟鲍国平（陈敏 饰）则带着龙锏寻凤锏。龙凤锏的原主人李长水的儿子李广仁（王群 饰）也闻讯至此，三拨人展开了明争暗斗。日本洋行掌柜占部（李林 饰）看出端倪，顿生歹意。天桥恶霸刘光庭调戏艺人翠花（黄维清 饰），满金子实在看不下去，打伤刘光庭将翠花救下，阴险狡诈的占部目睹一切，感觉时机已到......
描述在二战末期，希特勒下达“韦斯作战命令”，德军大举进攻南斯拉夫。游击队员们肩负着护送大批难民撤离的艰巨任务，而撤离的关键是跨越纳若维河的大桥，德军已始经从四处调兵遣将至河畔，企图一举全歼游击队。于是在桥边展开了一场惊心动魄的追击与反击战。
「お前は俺の犬になれ!」 別冊マーガレットで大人気連載中ドS漫画『オオカミ少女と黒王子』。 最新コミック12巻は、 通常版に加えて、オリジナルアニメDVD同梱版を発売!
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
Walking home from work one night, Thana, a mute seamstress in New York City's Garment District, is raped at gunpoint in an alley by a mysterious, masked attacker. She survives and makes her way back to her apartment, where she encounters a burglar and is raped a second time. Thana bludgeons this second assailant to death with an iron. She then keeps his .45 caliber M1911A1 pistol, dismembers the burglar's body, puts the pieces into plastic garbage bags and gradually disposes of them in various locations throughout the city. She begins to have frequent nightmares and hallucinations of the first assailant stalking her, and her mental stability begins to dim. Thana is noticed by a man while she is disposing of one of the bagged body parts; retrieving the bag, he chases and frightens her. Fearing another sexual assault, she fatally shoots him. This event furthers her impulse for vengeance. Gradually, Thana transforms her appearance to bee a more and more seductive bait, and sets out to kill any man who annoys her. Near the end of the film, she dons a nun's habit and red lipstick to attend a Halloween party with her boss and co-workers. Her boss tries to take advantage of her and is killed; Thana then begins a shooting spree and targets all the men present. Finally she is stabbed by a female colleague.
ABC正式宣布续订《初来乍到》第二季。