电影《猾丐》讲述了武状元苏乞儿留下一个金碗传于后人猾丐，江湖传说金碗内藏有重要的秘密，于是江湖各路人马为争夺金碗，设计引出猾丐而引发的一系列搞怪故事。
日高亚美（八代みなせ 饰）和黑帮木村家族的决战结束后神秘消失，只有机关枪手臂留在路边。亚美的好友好绘（木嶋のりこ 饰）偶然得到机关枪手臂，却遭到一群怪人的袭击。这群怪人就是被亚美杀掉的木村龙二（岛津健太郎 饰）等人，如今他们复活，组成了逢人必斩的“通杀队（誰でも殺し隊）”。 身陷险境的好绘被复活后的杉原（石川ゆうや 饰）所救，杉原决定将这个乖乖女训练成像亚美一样具有强大实力的女战士。这对一向羞涩内向的好绘来说，不辄为巨大的挑战…… 本片为《机关枪少女》续篇。
这座城市出现了一名绰号“Blitz”的连环杀人魔，他神出鬼没地杀害多名警官，而他的凶器只是一把锤子。没人知道他的踪迹，而他也因作案手法老练而使警方难以破案。嚣张的他更在每次作案前后都会和某报社负责犯罪版块的编辑邓洛浦（大卫·莫瑞瑟 David Morrissey 饰）报告杀人的细节，从而追求社会的关注。邓洛浦为了自己出名而没有通知警方，每次都能让警方试图封锁消息的计划破灭，也因此被警方注意。 个性容易冲动火爆的警察布兰特（杰森·斯坦森 Jason Statham 饰）因正义感太强殴打嫌疑犯，屡次遭投诉、上报纸，上司颇为恼火。这一次，布兰特奉命追查这名凶手，面对凶残狂妄凶手的放肆挑衅，他决定要靠自己的双手，为这个社会伸张正义......
一个奇怪的国际组合，拍成了一部冒险动作片。本片编剧是日本大师黑泽明，导演是俄裔安德烈·科察洛夫斯基，主演是美国的乔恩·沃伊特、埃里克·罗伯斯、芮贝卡·德·莫尔，拍摄地点则在冰天雪地的加拿大。剧情描述在美国西北的监狱，重犯曼尼在饱受折磨之下决定越狱，刑期将满的贝克也被拖下水，登上一列开往阿拉斯加的运货火车逃狱。当他们以为大功告成时，列车竟然失控，被迫往车毁人亡的终点前进。
17岁的高中女生铃年幼丧母，因怨恨母亲为了救一个陌生的孩子而离开了自己，曾经很喜欢唱歌的她，变得郁郁寡欢，不再开口。然而一次偶然的机会，让她进入了有50亿用户的虚拟世界U中，在这里，她又开始自然奔放的歌唱，并迅速走红，化身成为了全球最受欢迎的网络歌姬，现实世界中那个脸上长着雀斑，缺乏自信，找不到自己位置的铃，成功躲到了虚拟世界中光鲜亮丽的面具人格贝儿的后面。正当她踌躇满志的站上了U世界最大演唱会的舞台时，真正的挑战降临了，突然出现的一条神秘的龙破坏了演唱会。龙到底是谁，为什么他的身上布满了伤痕？铃在探寻真相的路上，唤醒了自身的勇气和力量，用爱和歌声战胜了挑战，和妈妈达成了理解的同时，也终于实现了她的自我救赎。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
8月8日 2022足球友谊赛 罗马VS顿涅茨克矿工
Annie Walker（Piper Perabo）是一名尚在训练中的初级间谍，最近突然被中央情报局「提拔」为外勤特工。她出众的语言才能或许是上司看重的一个原因，但那不是最主要的－－她的上司似乎对她曾经遇到过的某个人（前男友）更感兴趣。Christopher Gorham扮演一个为中央情报局效命军事情报特工，在一次任务中失去了双眼。他是Annie的导师兼行动负责人。Anne Dudek扮演Annie的姐姐，一位有两个孩子的母亲。Kari Matchett扮演中情局特设特务机构「国内保安局」的负责人。Peter Gallagher扮演她的丈夫Arthur，中情局另一个特设特务机构的负责人。
一腔热血、正义感十足的夏令正（元彪 饰）曾经目睹恩师光天化日之下被人残忍杀害的血腥一幕，而他不为所惧，愈加坚定了主持正义、惩恶扬善的信念。某天，身为检察官的夏令正指控两个臭名昭著的恶徒走私贩毒、谋财害命。谁知就在庭审的关键时刻，他好不容易说服的污点证人梁二胜一家八口被人残忍杀害。嫌疑人靠如此丧尽天良的手段逃脱一劫，致令夏令正大为恼火。在此之后，他铤而走险，跨越了检察官的底线，趁夜入室将嫌疑人之一的老卫（张冲 饰）以法外手段杀死。当他将下一个目标锁定在老周（田俊 饰）身上时，却发现对方已被人先行杀害。 警界黑手渐渐浮出水面，而孤狼一匹的夏令正沿着正义之路急速狂奔……
小林是位热心社工,一天,为救其三位当事人:阿JOE,林世才,灵幻大师.引致撞车,而魂魄飞出车外,让恶鬼得以进入他之身体.三人幸能逃过难关,各自回林之寓所.竖晨,三人得悉林住院,急往探望.林出院回家后,把三人赶走,还欲强奸JOE.大师怀疑林中邪,便施法见到林魂企图与鬼搏斗,大师同样用车祸望能将鬼魂撞出,反被恶鬼弄致躯体重伤,后用尽方法终将恶鬼赶走,却又发现林与JOE之魂魄在混乱中调换……
21-22赛季意杯半决赛首回合 佛罗伦萨VS尤文图斯