这！就是街舞第五季

该节目是一档街舞选拔类真人秀，由王一博、韩庚、李承铉、刘雨昕组成全新队长阵容。本季以“BattleForHope”为Slogan，意在搭建出宽广的街舞平台，向青年舞者们提供延续梦想的机会，在交流与竞技中，共同展望中国街舞的未来。新老两代舞者风云际会，中外青年舞者共聚竞技舞台，一起为希望而战。

伯爵

故事智利独裁者奥古斯托·皮诺切特展开，他并没有死，而是成为了吸血鬼。在这个世界上呆了250年之后，自身耻辱以及家庭冲突所带来的疾病，令他决定永远地死去。

既然青春留不住

洋溢着青春气息的大学校园里，劲辉（张翰 饰）、冯松（王啸坤 饰）等人立下了“兄弟盟约”，希望以此来维持他们之间的友谊。然而事与愿违，冯松喜欢上了名为朱婷（施雨斐 饰）的漂亮女孩，然而，令他没有想到的是，朱婷的芳心早就有了归属，那就是样貌英俊有着校草美誉的劲辉，然而落花有 意流水无情，劲辉的眼中只有身材性感火爆的周蕙（陈乔恩 饰）。一段曲折离奇的多角恋就此拉开序幕。 一晃眼十年过去，曾经的兄弟好友们踏入社会，各奔东西，某日，朱婷组织了一场盛大的同学聚会，让旧友们重新走到了一起。当众人回忆起曾经的青葱岁月之时，又会有怎样的释怀和感悟呢？

铁塔里的秘密

本片并非奥黛丽·赫本的第一部影片，而是她第四部担任龙套角色的作品。赫本原本要饰演主要女性角色之一，但因为舞台剧《金粉世界》轧戏无法分身，只好串场跑龙套。她在该片中演的是一个向亚历克·吉尼斯调情的年轻女郎，出场不超过30秒！ 片中男主角亚历克·吉尼斯表演一位温和谦虚的金条运输员，即把金条装载在装甲车里运送，20年来他都在重复着这项工作。然而 有一天，他决定抢劫价值一百万英镑的黄金，他的同伙有他招募的人员以及他的老朋友(Stanley Holloway)------一个压纸器的雕刻家和制造商。他们决定一旦金条抢劫到手就把它模藏在埃菲尔铁塔的小模型里，然后再运往法国。但在经过海关时，由于海关人员在密切警戒着那丢失的黄金，这些业余的小偷们不由的惊慌起来，以至六个藏有黄金的埃菲尔铁塔的小模型希里糊涂地买给了一群英国女学生。

假期惊魂

故事讲述到深山去过周末的一对情侣在途中遭遇飞车党的攻击，面对死亡威胁，这对情侣只能拼死抵抗飞车党，并最终摆脱了危险。

我是你是我

以平泉风土人情、山杏产业发展为题材，男女主角以身体互换的方式，让男人真真切切的做回女人，让女人完完全全的做一回男人，通过身体互换不断增进了男女之间的了解，也为企业之间合作共赢带来了新的希望。

绝不放弃

曾经的恩爱夫妻如今竟阴阳相隔，留下的是丈夫随身携带的一把保险柜钥匙和一个令人费解的写着数字的信封，是自杀？还是有阴谋的他杀？曾经一夜成名的著名舞蹈演员竟被公安在扫黄打非的行动中抓获，不为人知的还有她过去三年不堪回首的经历，是迫不得已？还是另有内情？曾经被男人传染艾滋病的无辜的女子，竟正实施着以同样方式报复所有男人的报复计划……吸毒、贩毒……引发艾滋病蔓延的丑行毁灭着人的心灵和身体，刚刚康复走出戒毒所的漂亮女孩又复吸险些送命。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

中国大学生五人制足球联赛（女子组总决赛）同济大学vs西安财经大学 20231130

正义联盟：闪点悖论

某晚，中央城爆发激战，闪电侠巴里·艾伦（贾斯汀·钱伯斯 Justin Chambers 配音）和超人、蝙蝠侠、戴安娜、绿灯侠等正义联盟的伙伴们与来自25世纪的急速教授及其爪牙镜子大师、陀螺、速冻队长你来我往，最终将这群恶棍绳之于法。分别时刻，急速教授的一番话触动巴里心底最敏感的地方。在此之后，似乎一切都发生变化。他一觉醒来，发现无赖帮们继续为非作歹，自己则意外丧失了变身闪电侠的能力，更令他出乎意料的是本应在童年被盗贼杀害的母亲竟然活着出现在他面前。全世界仿佛也天翻地覆，戴安娜率领的亚马逊人以及亚特兰蒂斯阴谋毁灭世界，布鲁斯死去，他的父亲托马斯·韦恩则以粗暴的蝙蝠侠身份出现。

国家宝藏·展演

《国家宝藏》文物特展即将落成，与此同时，一场“文艺特展”正在 紧锣密鼓的筹备。《国家宝藏》于故宫“张榜招贤”，号召全国文艺 工作者为三季以来的所有国宝定制文艺作品，并作为“文艺展品”入 驻特展。

黄河飞渡

甘肃省某县，这里天旱少雨，但奔腾呼啸的黄河从两山之间流过，人们却无法用这滚滚东流水去灌溉田地。魏民从部队转业回来后，在县水利科当了干部。他和青年农民丁俊才勘测出一条道路，决定利用地形和水的压力，在黄河南岸挖一条渠，引水到横跨黄河上的渡槽，浇灌北岸的土地。